The very model of a modern style directorial, Hounslow Light Operatic Company's Pirates of Penzance sailed away from traditional waters out on a bold course of glorious anachronisms. Director Ian Nethersell's production at the Hampton Hill Playhouse interspersed subtle visual metaphors on the themes of honour and duty within a Great War setting.

Nevertheless, he could not offend the purist, who was still able to enjoy a comic musical romp in the colourful Gilbert and Sullivan style.

The pirate rabble rumbusted onto the stage, robustly led by John Pyle as The Pirate King. His stage presence was matched by that of Sue Bell, effortless in her comic singing as Ruth the mature maiden of the gang.

The themes of the musical revolve around Frederic, indentured for twenty-one birthdays to the piratical art. Tony Cotterill brought energetic convincing acting to this role, filling his impressive boots with a bevy of beauties in Major Gen. Stanley's daughters. However, all are impervious to his advances, being suffragettes!

The exception is Mabel, who has joined the Army. Felicity Morgan's performance in this role stood out, her clear accurate singing voice complementing fine acting.

Jon Coop's geriatric general was played as vulnerable and bemused as he was swept along by events.

Musical Director, Laurie Reeve is to be applauded for the ensemble singing and for her skilled young orchestra.

Lots of traditional rocks, but what's this in the chapel: Picasso! What a show: pirates with panache, but Picasso with the pasties!